Storyboard

This is our complete storyboard divided into fore sections for the story line. Shots 1 to 6 are of a customer entering the shop he is then looking for something he wants to buy, he can't find it and asks Sam if he can find it for him. We chose this section because it will enable us to do an establishing shot and an over the shoulder shot and we can also add a match on action section as well.

Shot's 7-10c are of Sam searching for the item which he can't find either, he then goes to ask his manager about it and his office is locked. He then forces his way into the office and disturbs a dodgy money laundering scheme meeting. I suggested we end the scene with a series of shot reverse shots to emphasise the confusion and the urgency. The first shot is of Sam asking what's going on. The second shot is of the room and the people in the meeting where the corrupt police officer says he knows too much and the Gaff tells the henchman to get him. The last shot in the sequence is of Sam's reaction to this disturbing new events just before he runs out of the shop.

Shots 11-16 are the beginning and end of the chase scene and also the beginning and end of the phone conversation and Rose's abduction. It begins with Sam being chased on a main road by the henchmen. Second shot is relatively the same with him still being chased but now on a path or street. The third shot is typical of action films and Sam throws something in the chasers path to knock him over so he can get away. The next shot is of him stopping to catching his breath and making the phone call to Rose to warn her about what's going on. It then goes into a split screen of the actual phone conversation. The final shot in this section is of Rose when she's dragged away by the henchmen.

The last shots are another short series of shot reverse shots an extreme close up and a still shot. It starts with 17a which is a close up of Sam as he screams "No!" it then zooms out to an extreme long shot. It then zooms in again and Sam starts to pedal. The next shot is an extreme close up of the foot on the pedal. And the final shot is a still shot of him riding into the distance.